Foreign Film Womnan Alone With Child Strang Woman Comes to Stay Kills Her Steals Baby on Boat
| | This commodity is missing data about the moving-picture show's production. (October 2019) |
| The Wailing | |
|---|---|
 Theatrical release poster | |
| Hangul | 곡성 |
| Hanja | 哭聲 |
| Revised Romanization | Gokseong |
| McCune–Reischauer | Koksŏng |
| Directed by | Na Hong-jin |
| Written by | Na Hong-jin[1] |
| Produced by |
|
| Starring | Kwak Practise-won Hwang Jung-min Chun Woo-hee |
| Cinematography | Hong Kyung-pyo[1] |
| Edited by | Kim Sunday-min[1] |
| Music by | Jang Young-gyu Dalpalan[one] |
| Product | Side Mirror |
| Distributed by | 20th Century Play tricks |
| Release date |
|
| Running fourth dimension | 156 minutes[1] |
| Country | South Korea[1] |
| Languages | Korean Japanese |
| Budget | Usa$viii million |
| Box office | United states$51.3 meg [ii] |
The Wailing (Korean: 곡성 ; Hanja: 哭聲 ; RR: Gokseong ) is a 2016 S Korean horror film directed past Na Hong-jin and starring Kwak Practice-won, Hwang Jung-min, Chun Woo-hee. The moving picture centers on a policeman who investigates a series of mysterious killings and illnesses in a remote Korean hamlet called Gokseong in social club to save his daughter. The moving picture was both a commercial and critical success.[three] [iv] [5]
Plot [edit]
After a Japanese man arrives at Gokseong, a small village in the mountains of South korea, a mysterious infection breaks out and causes the villagers to go deranged and violently kill their families.
One night at the police station, officers Oh Seong-bok and Jong-goo are discussing the Japanese stranger when a naked adult female appears in the rain. They later discover the woman, infected, was raped by the Japanese stranger and was spotted several times naked in different places, has murdered her family. At the crime scene, Jong-goo meets a mysterious young woman chosen Moo-myeong ("no name" in Korean), who tells him the Japanese man is a ghost and the culprit. Jong-goo steps outside to call Oh Seong-bok, and the woman vanishes, and he sees a very scary figure. A local hunter tells them he saw the stranger with glowing red eyes, eating raw venison in the forest.
Jong-goo has similar dreams about the stranger and decides to investigate with Oh Seong-bok. They enlist the assist of Oh Seong-bok's nephew, a Japanese-speaking deacon named Yang I-sam. They investigate the stranger'due south house when he'southward out and observe pictures of the murdered villagers and their belongings, too as a worship room. The stranger's guard canis familiaris attacks them and stops when the stranger returns, so Jong-goo and his squad leave. On the way back, Oh Seong-bok shows his partner a shoe that belongs to Jong-goo's girl, Hyo-jin. Hyo-jin grows sick, with symptoms similar to those of the other infected. Jong-goo returns to the stranger's house, only finds the testify has been burned. Infuriated, he smashes upward the worship room, kills the guard dog, and orders the stranger to leave the hamlet.
Jong-goo'due south family unit discovers the encarmine torso of a expressionless goat hanging in front of their front gate the next 24-hour interval, and Hyo-jin later stabs and seriously injures a neighbor when the family had gone to treat Jong-goo, leaving her alone. Distraught virtually Hyo-jin'southward violent beliefs and change in health, Jong-goo's mother-in-law seeks assistance from a shaman, Il-gwang. Il-gwang says a wicked spirit has possessed Hyo-jin. His exorcism fails. After learning Jong-goo disturbed the stranger, who he says is a demon, Il-gwang prepares a decease-hex ritual and tells Jong-goo he must not be interrupted. At home, the stranger performs a ritual at the same time to seemingly possess the body of 1 of the dead victims, Park Choon-bae. Hyo-jin experiences excruciating pain as Il-gwang's ritual progresses. Jong-goo stops the ritual and takes his daughter to the infirmary instead. The stranger pulls himself into bed later on his ain ritual and sees Moo-myeong exterior his business firm.
The following solar day, Jong-goo gathers his companions to hunt down the stranger. As they search his house, they are attacked by the at present reanimated corpse of Park Choon-bae, who injures Yang I-sam and gives the stranger time to abscond before convulsing and returning to his dead land. They pursue the stranger but lose him at a cliff. The stranger, hiding only out of view, sees Moo-myeong staring at him from afar. Every bit the group drives back down the mountain, the stranger lands on the windshield. They dump his torso off the cliff as Moo-myeong watches from above. Jong-goo returns to find Hyo-jin has seemingly improved.
Il-gwang drives to Jong-goo's, where he encounters Moo-myeong and vomits blood. Il-gwang runs to his room and lights a candle, but it extinguishes and he gets very scared and flees the town and heads to Seoul. However, he then turns back and calls Jong-goo to warn that Moo-myeong is the real demon and the stranger was a shaman trying to stop her, only he doesn't option up the calls from him. Meanwhile, the wounded Yang I-sam receives news that Oh Seong-bok has killed his family unit, at the same time that Hyo-jin and then disappears. While searching for her, Jong-goo meets Moo-myeong, who claims the stranger is all the same alive and she has set a trap for him, but it will fail if Jong-goo goes home earlier the rooster cries three times, and Hyo-jin will kill everyone. Moo-myeong says Il-gwang is a mere pawn of the real demon. Dislocated, Jong-goo asks her if she is a human or a ghost. She gives a cryptic answer. Jong-goo notices she is wearing the personal items of the victims, including his girl's hair pin. Believing this to be proof she is responsible, he dashes dwelling house earlier the third weep of the rooster. The moment he crosses his threshold, the floral trap fix by Moo-myeong withers.
Yang I-sam returns to the stranger'southward firm with a sickle and a cross. He finds a cloak-and-dagger cave nearby and the stranger alive within. He asks the stranger about his true form and says he thinks the stranger is the devil, but if he's wrong, he'll go out him in peace. The stranger laughs maniacally and says he is the one who won't let him leave. He photographs Yang I-sam while asking why he notwithstanding doubts the stranger'due south identity. As Yang I-sam stands frozen, the stranger changes into a demon and taunts him.
Back home, Jong-goo finds Hyo-jin has brutally murdered their family. He tearfully calls out to her, but she doesn't respond. It is unsaid she ends upward attacking him also. Il-gwang arrives and takes photographs of Jong-goo'southward dead family unit as Hyo-jin sits in a trance. Returning to his car, he unintentionally drops a box filled with photos of the murdered villagers that the stranger claimed to have burned. As Jong-goo lays dying, devastated past his family's death, he remembers happier times with his daughter and begins to smile, assuring her that he will protect her.
Deleted catastrophe [edit]
In a deleted scene happening right after the conclusion of the story, the Japanese human is seen sitting on a bench past the roadside. He spots a family on the other side of the road and invites a child to him by offering her candies, simply the mom picks up the kid earlier she manages to reach the stranger. A car driven by Il-gwang arrives and picks up the Japanese homo earlier leaving. In the center of the road, Moo-myeong witnesses the car fading away in the horizon.
Bandage [edit]
- Kwak Do-won as Jong-goo, policeman and father of Hyo-Jin.
- Hwang Jung-min every bit Il-gwang, a shaman hired to protect the village.
- Chun Woo-hee as Moo-myung, the woman in white.
- Jun Kunimura as a Japanese stranger.
- Kim Hwan-hee equally Hyo-jin, Jong-goo's girl
- Her Jin every bit Jong-goo's mother-in-law
- Jang Then-yeon every bit Jong-goo'southward married woman
- Kim Practise-yoon as Yang I-sam, a Japanese-speaking deacon
- Son Gang-guk as Oh Seong-bok, Jong-goo's police partner
- Park Seong-yeon as Kwon Myeong-joo
- Kil Chang-gyoo as Park Choon-bae
- Jeon Bae-soo as Deok-gi
- Jeong Mi-nam as Heung-gook
- Choi Gwi-hwa as Byeong-gyoo
- Baek Seung-cheol equally Friend
- Kwon Hyeok-joon as Friend
- Park Chae-ik as Friend
- Kim Gi-cheon as Dispatch captain
- Yoo Soon-woong as Main of constabulary
- Jo Han-cheol as Detective i
- Kim Song-il as Police
- Bae Yong-geun equally Police
- Im Jae-il as Police
- Lee In-cheol equally Father
- Jo Seon-joo every bit Bar hostess
- Lee Chang-hoon equally Physician
- Kim Ji-won as Nurse
Release and reception [edit]
Release [edit]
The Wailing was released in South korea on May 12, 2016.[six] The motion picture was shown in the Out of Contest department at the Cannes Film Festival in French republic on May 18, and was released in the United States on May 27.[6] The picture show was then released on Netflix at a after date, though it has since been taken off the streaming service. The Wailing was released on other streaming services like Fandango Now, VUDU, Hulu, and Apple tree Television set.[seven]
Critical response [edit]
The Wailing received widespread critical acclaim. On review aggregator website Rotten Tomatoes, the film has an approval rating of 99% and an average rating of 8/x, based on 82 critical reviews. The site's critics consensus reads, "The Wailing delivers an atmospheric, cleverly constructed mystery whose supernatural thrills more than justify its imposing length."[8] On review aggregator website Metacritic, the film has a weighted average score of 81 out of 100 based on 19 critics, indicating "universal acclaim".[nine]
Jada Yuan of Vulture.com described the picture as "operating on a level that makes virtually American cinema seem clunky and unimaginative".[10] Anton Bitel of Little White Lies commented "By turns funny and despairing, this hamlet noir brings the horror of uncertainty."[xi] Leah Pickett of Chicago Reader stated "the film justifies its epic length, meshing ancient east Asian mythology and rituals (hamlet gods, exorcisms past shamans) with more than recognizable horror tropes (demonic possession, zombification, the devil represented by a blackness dog and rams' heads) in a fashion that feels novel and unpredictable. The actors are uniformly potent..."[12] Phil Hoad of The Guardian wrote "The layers of dissembling and self-dissembling pile up so thickly that not only does Na evidently touch on something integral most the nature of evil, merely actually seems to be in the process of summoning it earlier your eyes."[13] Financial Times'due south Nigel Andrews wrote "Very crazy, very Korean, very long: 156 minutes of murder, diabolism, exorcism and things that become bump by day and dark".[14] Clark Collins of Entertainment Weekly gave the film B+ grade, stating "Despite its epic length, The Wailing never bores as Na slathers his tale with generous supplies of temper and awfulness".[15] Jason Bechervaise of Screen Daily noted "The Wailing is initially set up as a thriller and the supernatural setting as well helps deliver moments akin to a horror feature, particularly when a foreign woman (Chun Woo-hee) first appears. But the moving-picture show'due south gradual progression into something more than sinister puts a different spin on Na's masterful use of pacing".[16] Jacob Hall of /Film commented "The Wailing as information technology exists would involve burning the very structure of a traditional western flick to the footing. It'south why the flick is so great and it'southward also why a remake seems so strange".[17]
Deborah Immature of The Hollywood Reporter added "As dark and pessimistic as the residuum of Southward Korean thrill-master Na Hong Jin's work, The Wailing (Goksung, a.thou.a. The Strangers in French republic) is long and involving, permeated by a tense, sickening sense of foreboding, all the same finally registers on a slightly lower primal than the director'south acclaimed genre films The Attorney (2008) and The Yellow Bounding main (2010), both of which also got their outset in Cannes."[18] Maggie Lee of Diverseness noted "In that location's nothing scarier than not knowing what you should be scared of. "The Wailing" erupts with a cord of gruesome deaths in an insular village, but the investigation unleashes a greater terror — that of the paranoid imagination."[19] David Ehrlich of IndieWire stated ""The Wailing" boasts all the tenets and tropes of a traditional horror moving-picture show, merely it doesn't bend them to the same, stifling ends that ascertain Hollywood'south recent contributions to the genre. The film doesn't use sound to telegraph its frights a mile away (at that place are no leap scares, hither... well, perhaps one), nor does it build its scenes around a single cheap thrill. On the contrary, this is horror filmmaking that's designed to work on you similar a virus, slowly incapacitating your defenses so it tin build up and practice some existent harm. There'south a looseness hither that's missing from mainstream American horror, a sense that absolutely anything tin can happen next (and always does)."[20] Aja Romano of Vocalization gave the film four points out of five, stating "The Wailing is the nearly unsettling Korean horror film in years, but it offers more than chills than answers."[21]
Lincoln Michel of GQ wrote "At just over two-and-a-one-half-hours long, The Wailing definitely takes its time, yet you could never describe it as a tiresome burn. This is a horror picture that jumbles upwards ghosts, zombies, body horror, Eastern exorcism, Christian mythology, demonic curses, creepy children, and a lot more into one sustained narrative. This description may brand it sound like the movie is a messy mash-up, but managing director Na Hong-jin ties it all together seamlessly. Instead of beingness a mess, the combination of tropes makes each individual one experience both fresh and terrifying."[22] James Hadfield of The Nippon Times gave the movie 4 stars out of five, writing ""The Wailing" veers from police force drama to ghost story to zombie horror and back once again, while tossing a generous helping of shamanism and Christian symbolism into the mix. At times, it resembles "The Exorcist" transplanted to the Due south Korean countryside; at others, information technology's closer in tone to "Memories of Murder," Bell Joon-ho's masterful, deadening-burning serial-killer drama".[23]
Awards and nominations [edit]
| Twelvemonth | Accolade | Category | Recipient | Result |
|---|---|---|---|---|
| 2016 | 25th Buil Moving-picture show Awards | Best Film | The Wailing | Nominated |
| Best Managing director | Na Hong-jin | Nominated | ||
| All-time Actor | Kwak Do-won | Nominated | ||
| Best Supporting Actor | Hwang Jung-min | Nominated | ||
| Jun Kunimura | Nominated | |||
| All-time Supporting Actress | Chun Woo-hee | Nominated | ||
| Best New Actress | Kim Hwan-hee | Nominated | ||
| Best Cinematography | Hong Kyong-pyo | Nominated | ||
| Best Fine art Direction | Lee Hoo-kyeong | Nominated | ||
| All-time Music | Jang Young-gyu & Dalpalan | Nominated | ||
| 37th Blue Dragon Film Awards | Best Film | The Wailing | Nominated | |
| Best Managing director | Na Hong-jin | Won | ||
| All-time Actor | Kwak Do-won | Nominated | ||
| All-time Supporting Actor | Jun Kunimura | Won | ||
| All-time Supporting Extra | Chun Woo-hee | Nominated | ||
| All-time New Actress | Kim Hwan-hee | Nominated | ||
| Popularity Award | Jun Kunimura | Won | ||
| All-time Screenplay | Na Hong-jin | Nominated | ||
| All-time Cinematography | Hong Kyong-pyo | Nominated | ||
| Best Editing | Kim Sun-min | Won | ||
| Best Fine art Management | Lee Hoo-kyeong | Nominated | ||
| All-time Lighting | Kim Chang-ho | Nominated | ||
| Best Music | Jang Yeong-gyoo and Dalpalan | Won | ||
| Bucheon International Fantastic Moving picture Festival | Audience Award | The Wailing | Won | |
| Best of Bucheon Award | Na Hong-jin | Won | ||
| Fantasia International Flick Festival | Prix AQCC | Won | ||
| Audition Award for All-time Asian Feature | 3rd place | |||
| 53rd Yard Bell Awards | Best Film | The Wailing | Nominated | |
| Best Director | Na Hong-jin | Nominated | ||
| Best Actor | Kwak Do-won | Nominated | ||
| All-time Supporting Player | Hwang Jung-min | Nominated | ||
| Best Supporting Extra | Chun Woo-hee | Nominated | ||
| Best New Actress | Kim Hwan-hee | Won | ||
| Best Cinematography | Hong Kyung-pyo | Won | ||
| Best Recording | Kim Shin-yong | Won | ||
| Best Lightning | Kim Chang-ho | Won | ||
| All-time Editing | Kim Dominicus-min | Won | ||
| 36th Korean Clan of Film Critics Awards | Top Films of the Year | The Wailing | Won | |
| Korean Film Actor'due south Association Awards | Meridian Manager Laurels | Na Hong-jin | Won | |
| Top Star Award | Kwak Do-won | Won | ||
| Korean Flick Producers Association Awards | Best Managing director | Na Hong-jin | Won | |
| Best Cinematography | Hong Kyung-pyo | Won | ||
| Best Lighting | Kim Chang-ho | Won | ||
| Phoenix Critics Circle | All-time International Film | The Wailing | Nominated | |
| Sitges Movie Festival | Focus Asia Award | Na Hong-jin | Won | |
| Best Cinematography | Hong Kyung-pyo | Won | ||
| BloodGuts UK Horror Awards | Best International Film | The Wailing | Nominated | |
| Best Director | Na Hong-jin | Nominated | ||
| All-time Actor in an International Film | Kwak Do-won | Won | ||
| Hwang Jung-min | Nominated | |||
| All-time Actress in an International Film | Chun Woo-hee | Nominated | ||
| Molins de Rei Horror Moving-picture show Festival | Special Mention | Hong Kyung-pyo | Won | |
| Best Motion picture | The Wailing | Nominated | ||
| Saskatoon Fantastic Film Festival | Honourable Mention | Won | ||
| CPH:PIX | Politiken'south Audition Accolade | Nominated | ||
| 2017 | 11th Asian Film Awards | Best Movie | Nominated | |
| Best Director | Na Hong-jin | Won | ||
| Best Supporting Actor | Jun Kunimura | Nominated | ||
| All-time Sound | Kim Dong-han | Nominated | ||
| Central Ohio Film Critics Association Awards | Best Strange Language Film | The Wailing | Nominated | |
| KOFRA Moving-picture show Awards | Best Film | Won | ||
| Best Director | Na Hong-jin | Won | ||
| Seattle Pic Critics Awards | Best Foreign Language Motion picture | The Wailing | Nominated | |
| Korea Cablevision TV Awards | Cable VOD Grand Prize (Film) | Won | ||
| Fangoria Chainsaw Awards | Best Strange-Language Picture show | Nominated | ||
| 53rd Baeksang Arts Awards[24] [25] | Best Picture | Won | ||
| Best Director | Na Hong-jin | Nominated | ||
| All-time Actor | Kwak Do-won | Nominated | ||
| All-time Supporting Extra | Chun Woo-hee | Nominated | ||
| Best New Extra | Kim Hwan-hee | Nominated | ||
| Best Screenplay | Na Hong-jin | Nominated | ||
| 22nd Chunsa Film Awards[26] | Best Director | Won | ||
| Best Player | Kwak Do-won | Nominated | ||
| Best Supporting Actor | Hwang Jung-min | Nominated | ||
| Best Supporting Actress | Chun Woo-hee | Nominated | ||
| Best Screenplay | Na Hong-jin | Nominated | ||
| Technical Laurels | Jang Yeong-gyoo and Dalpalan | Nominated | ||
| University of Science Fiction, Fantasy and Horror Films | Best DVD/Blu-Ray Release | The Wailing | Nominated | |
| iHorror Awards | Best Foreign Horror | Nominated |
References [edit]
- ^ a b c d eastward f g Lee, Maggie (May 19, 2016). "Cannes Film Review: 'The Wailing'". Variety . Retrieved July 31, 2016.
- ^ "Goksung (2016)". The Numbers. October 21, 2016. Retrieved July 31, 2016.
- ^ Hughes, David (21 November 2016). "The Wailing". Empire . Retrieved 20 December 2019.
- ^ Abrams, Simon. "The Wailing moving picture review & film summary (2016) | Roger Ebert". rogerebert.com . Retrieved 20 December 2019.
- ^ "The Wailing (2016)". Letterboxed . Retrieved 20 December 2019.
- ^ a b McNary, Dave. "The Wailing". Variety . Retrieved 21 December 2016.
- ^ The Wailing (2016) , retrieved 2021-05-eleven
- ^ "The Wailing (Goksung) (2016)". Rotten Tomatoes. Fandango. Retrieved March 22, 2020.
- ^ "The Wailing Reviews". Metacritic. CBS Interactive. Retrieved 2016-07-xiv .
- ^ Jada Yuan (2016-05-26). "No Craven Is Safe in the Insane Korean Occult Murder Mystery The Wailing". Vulture . Retrieved 2016-07-xiv .
- ^ Bitel, Anton. "The Wailing - review". Little White Lies . Retrieved 20 December 2019.
- ^ Pickett, Leah. "The Wailing". Chicago Reader . Retrieved 20 December 2019.
- ^ Hoad, Phil (24 November 2016). "The Wailing review – Korean horror flick takes fearfulness to the brink of an abyss". The Guardian . Retrieved 20 Dec 2019.
- ^ Andrews, Nigel. "Film review: Creepy/The Wailing — 'Something nasty'". Financial Times . Retrieved xx Dec 2019.
- ^ Collins, Clark (3 June 2016). "'The Wailing': EW review". Entertainment Weekly . Retrieved 20 December 2019.
- ^ Bechervaise, Jason (xiii May 2016). "'The Wailing': Cannes Review". Screen Daily . Retrieved twenty December 2019.
- ^ Hall, Jacob (20 January 2017). "The Wailing Remake Possibly on the Manner". /Film. Retrieved 20 December 2019.
- ^ Young, Debora (eighteen May 2016). "'The Wailing' ('Goksung'): Cannes Review". The Hollywood Reporter . Retrieved 20 December 2019.
- ^ Lee, Maggie (19 May 2016). "Cannes Film Review: 'The Wailing'". Variety . Retrieved 20 December 2019.
- ^ Ehrlich, David (23 May 2016). "Cannes Review: 'The Wailing' Is An Epic Korean Horror Motion-picture show Too Crazy For Its Own Good". IndieWire. Retrieved 20 December 2019.
- ^ Romano, Aja (11 June 2016). "The Wailing is a deeply unsettling horror film, only it offers more than chills than answers". Vox . Retrieved 20 December 2019.
- ^ Michel, Lincoln (October 6, 2018). "This Is the Spookiest Flick on Netflix". GQ . Retrieved 20 Dec 2019.
- ^ Hadfield, James (8 March 2017). "'The Wailing': Spine-spooky in every possible way". The Japan Times . Retrieved 20 December 2019.
- ^ "공유·박보검·남궁민·한석규…백상예술대상 男TV연기상 4파전". Star.mk.co. 7 April 2017.
- ^ "'Guardian,' 'The Handmaiden' win big at Baeksang Awards". Korea Herald. 4 May 2017.
- ^ "'2017 춘사영화상' 나홍진, 최우수감독상…하정우·손예진 남녀주연상". SE Daily. 25 May 2017.
External links [edit]
- The Wailing at AllMovie
- The Wailing at IMDb
- The Wailing at Rotten Tomatoes
- The Wailing at Box Part Mojo
Source: https://en.wikipedia.org/wiki/The_Wailing_%28film%29
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